Sound Effect Listings

The Legend of Aramelle – Episode Two Sound Effects

As someone interested in sound recording in general, I thought it would be a good idea to combine the credits I have to include for the sound effects in each episode with information of why I chose them, plus how I edited them.

Here is the full list of sound effects including where I got them from, plus what the original script called for.

This episode is the first time I had to do some mixing, such as mixing the cast with sound effects to get the desired effect.

These are the mixed sound effects:
1. Mix of Adobe and cast: Orson and Aramelle splutter and splash in the river. Liquid water water splash movements 04
The cast did a great job of making it sound like they were splashing around in the river, so I only had to add some splashing movements at the beginnning so it sounds like thy’re getting their bearings after going over the aterfall at the end of the last episode.
2. Mix of Adobe and cast: Aramelle lifts Orson, puts him on driftwood. Liquid water water drip strand up drip 01. Impact metal wood impact short 01. Aramelle heaves.
This one took me a while to think about. Quite simply, how much would water move if time was stopped? I couldn’t work out if it made sense for the impact of Orson’s armour hitting the driftwood would be the only sound, or if the water would drip off him. I went for hearing the water, as it leads well into Grim restarting time when they leave.
3. Mix of Adobe and cast: Orson and Aramelle lurch forward with the boat and hit the cell door.Ep2 O and A cell door. Foley footstep hard sole dress shoe stumble on wood platform 02
This combined a sound we recorded on the day with some stumbling footsteps. The footsteps aren’t my favourite, but they work for what’s needed.
4. Mix of Adobe and music: Grim Reaper takes soul of captainweapon broad sword slide off sword 01. Grim Reaper Music
Using Jean’s music for the Grim Reaper and combining it with rhe sound of a sword gives the desired ‘reaping’ effect for soul taking. I did search for ‘scythe sounds’ but couldn’t find any!
Mix of different cast sounds: Liam holds Aramelle over the side of the ship at sword point.Ep2 A upside down x3. and Aramelle scream from Ep.1. Ep2 O and A cell door.
This one mixes some sounds we recorded on the day – with the upside down noise being the wall of the recording studio being hit, alongside the scream for episode one (I told you it would be back) and the grunt from Orson and Aramelle hitting the cell door reused.
Finally, though it’s not really a sound rather than the absence of sound, I did have Grim Reaper stops time in the script. This reminded me to remove all the sounds of waterfalls and flowing rivers, so Grim and Aramelle can have their conversation without Orson hearing. Once Grim leaves, the sounds restart – loud at first, then going back into the background.

This was also the first time I’ve cut some sound effects. This was mainly due to me realising in the editing that it was possible to follow the story without adding in these sounds and didn’t want to use sounds where they wern’t needed. They were useful to have in the script though, as it allowed the cast to know what was happening next, and allowed me to give myself clear editing points.
I cut:
Pirate ship comes closer – They’ve just said there’s a pirate ship then the captain starts talking to them. If I had better mixing software I might have tried to find a sailing ship noise and alter the volume through the scene – but it works well enough without this.
Aramelle shuffles over to starboard – this was in originally and comes just after Orson’s line of “you should stay to starboard”. I put the shuffles in before realising they were superfluous and it’s easier to imagine that Aramelle just stays where she is.
Ship veers to the side. Orson and Aramelle thrown forward again. – this was a whole part where Orson and Aramelle hit the bars for a second time as the ship veers during the mutiny. I wrote it in because it was going to be the end point of the mutiny. However, it didn’t really serve as showing that in the edit, so I took the section out and just had one last loud gunshot before a period of silence when Aramelle asks “Does that mean the mutiny’s over?”
Aramelle kneels – this is where Aramelle kneels to pledge allegiance. Again I could have added something in here, but it didn’t seem necessary for the audience to hear her kneeling to know that she as.
Aramelle stands back up – as such I didn’t need the noise of her standing back up either.
Liam shakes her hand – this is another one I had in at first, but as no-one says they’re shaking hands it wasn’t obvious what was happening as works just as well without.

Adobe Sound Effects Used:
1. Ambience waterfall exterior 03
2. Liquid water river flowing water 02 – These two sounds are the background sounds in the first scene.
3. Orson falls beneath the water. Aramelle tries to lift him back out of the water. adobe Aramelle drops him again. A Splash. Liquid water water dunk and rise hands in water 02: – This sound works well for cutting so I could use it for Orson falling under the water and then the second half for Aramelle pulling him up.
4. Grim Reaper restarts time. Ambience waterfall exterior 03: Liquid water river flowing water 02 – The sound restarts as soon as Grim leaves.
5. They kick with their legs in the water and swim forward. Liquid water water feet splash in water fast 01: Had to trial a couple of these as some of them were super fast! This one works well in the background though, so you can hear what they’re doing but it doesn’t get louder than the river.
6. Waves in background, seagulls, shouts of a ship’s crew. Ambience ocean shore 01: This one was going to be a mix. We recorded the crew talking in the background, but while editing, I thought the waves and seagulls were enough of an indicator to the scene being in open ocean. I did put the crew sound effect in the outtakes at the end though.
7. A cannonball is aimed at them but misses. Drops in the ocean. Weapon cannon fire 01. Liquid water water dunk and rise hands in water 02: This was one action in the script that needed two sounds in the edit. The cannon fire sound on its own and then the liquid dunk noise from earlier being reused. I did search for a sound that would be like a cannonball being dropped in the ocean all in one sound, but resorted to mixing them.
8. Pirate captain leaves.Foley footsteps hard sole dress shoe walking on wood platform 01: This sound doesn’t quite work as they’ve just walked to the ship’s prison without us hearing the footsteps (It would have been too much to listen to, what with rhe ship and their conversation). However, this sound was needed so we know the captain has left before Orson starts talking about him. Plus, the captain leaving and going to speak to Liam is the catalyst for the mutiny, so it had to be heard. As a bonus though, the sound that sounds like the captain closing the door at the end of the footsteps was actually just a noise that appeared naturally in the “creaking ship” sound that serves as background noise!
9. Gunshots from deck, sound of fighting on sbip above. weapon gun pistol 9mm glock single shot interior shooting range short 01: This sound was tricky to work out the levels of. I wanted the first and last ones to be louder than the others, but wanted them all to be different volume levels to give the feel that fighting was breaking out all over the deck.
10. Liam unsheathes his sword. – weapon sword remove from sheathe 01: This is the same sound from episode one.
11. Orson unsheathes his sword.weapon sword remove from sheathe 01
12. Liam takes Orson’s sword. weapon sword pick up from ground 01: This one was again tricky to find. Ideally I wanted a sound of a sword being taken out of someone’s hands, but had to settle for the ground.
13. A spell hits the ship.Multimedia Internet CD-Rom Flash Electronic 01: There were various sounds I went through for the spell sound. I eventually settled on this one because it sounds a bit glittery – and in my opinion there is not much in the world that can’t be improved with glitter.


BBC sound effects were used for:
1. Ship creaking: Thames Sailing Barge, Atmosphere Below Deck Under Sail, With Creaking Wood. (Recorded On Board S.B. Pudge.) (Bought) – This sound works well as a shift between the open ocean with Orson and Aramelle on driftwood to them being below deck.
2. Cell door unlocked. Doors: Prison: Cell – Prison Door: Cell, opened and shut. (Bought) – This is another sound that will work in a variety of places. I just needed the sound of a lock turning and then a heavy door slam to signifty they were being locked in.
3. Orson and Aramelle are locked in the cell Doors: Prison: Cell – Prison Door: Cell, opened and shut.
4. AnchorBoats: Cruisers – Dropping anchor without speech (reprocessed) (Bought) – This sound is used for immediately after the “Land ahoy” line and is the catalyst for Orson and Aramelle hitting their faces on the bars when the ship stops.
* As an extra here – One thing I have learnt during editing this episode and this list is to Rename Downloaded Sound Effects. The sound effects I downloaded just gave me lists of numbers, which works fine for me actually editing, as I only need the sound. However, if I want to find the sound to re-use in another episode or find it online again for any reason. The numbers aren’t helpful. I’ve since renamed them as what the file name is online, and going forward will do it immediately in download!


Free sound was used for:
1. Grim Reaper pulls out ticking clock.
2. Grim Reaper puts ticking clock away.
NistuGgner pocket watch: Both these sounds were the same as in Episode one.
https://freesound.org/s/706551/ — License: Creative Commons 0


The cast for:
1. Aramelle heaves. Aramelle heaves: This was used multiple times in the first scene as Aramelle variously lifts up Orson and drops him again.
2. Liam pulls Aramelle back up. – Ep2 L pulls A up: This is used right at the end as Liam agrees to Aramelle’s conditions. I had to put something in, so it was known that she had in fact been pulled up and not left hanging over the edge of the ship.

Music:
Grim Reaper leavesGrim Reaper music: This is the music made for the Grim Reaper arriving and leaving.
Aramelle’s castle beginning for scene change music: I put this in at the beginning of this episode to signify time passing and the scene changing. I didn’t need to use it again as the ocean ambience worked well enough. Plus, not as much time passed between Orson and Aramelle climbing aboard the ship as it did when they were swimming out to sea.

Freelance Journey

How To Become a Freelancer – April Update

The Legend of Aramelle as it shows up on Spotify
Legend of Aramelle on Spotify

Intro:
Nearly, finally recovered from my burns – with only one factor still preventing me from a return to work.

The Legend of Aramelle is now live! And can be listened to here on WordPress, on Apple podcasts, Spotify or Pocketcasts.

The first episode has turned out well and new episodes will be available every other Saturday for the next few months.
However, I am hoping to re-record the credits as the levels went wrong and they’re barely audible for episode one! I should be able to do it no later than episode four, so it shouldn’t be too much of a problem.

So on to the update!

Scripts Update:
Most of this past month has been focused on getting the first episode of The Legend of Aramelle ready. However, I am nearly ready to submit Troy into Oxford 42, and should be able to do that before the end of this week.

The time-travel script went into Scribe Lounge Elevate and I have made notes for a re-write on my script called Last Witch in Swanage; it’s about witches in Puritan England. Have been having trouble with this script for a while, knowing the story I want to tell, but it not coming out right when written down. Now, I have been inspired by Wednesday on Netflix, (being off work means I am finally making some headway on my watchlist) and have realised that I can tell the story better if I change the tone to a more contemporary one!

I will be making a short film – working title Grand Hotel – for the final term of my film course. I have the Easter break to organise actors, call sheets and production budgets etc. It’s a story inspired by the first line of a Regina Spektor songalso called Grand Hotel – with the first line being “Somewhere below the Grand hotel, there is a tunnel that leads straight to Hell.” There’s still some editing I want to do on the script, but it’s almost there.

Finally, I am trying to work out which of two short film scripts – the first being Billy Frankenstein, also originally written for the film course and the second being my second choice for this final-term film, entitled The Master’s Boots – to submit to the Large Format Films competition. The Master’s Boots was only voted down at the film course for production budget reasons, as it is set in the early 1900s, and needed Edwardian costumes, three locations, a certain number of extras and ideally a plane. However, the Large Format Films first prize is £5000 towards making your film, so I am heavily considering that one instead.

Plus, it has the added benefit of being inspired by something I learnt about my own family this week: That is, that my Great-Grandma had an argument with her mother about whether she was going to work as a servant in a big house nearby, or with her friends at a local factory.

Things Learnt:
Have been trying to get my head around the various different podcast services, so can advertise Legend of Aramelle as much as possible. Lots of the services do have lessons and articles in various topics, that I am slowly working my way through.

Have also learnt a bit more about which type of microphone I want to buy once my savings have recovered from my sick leave. Also, that the levels I might hear in a Mix-Pre3 Sound Mixer don’t necessarily translate easily to Garageband on my laptop!

Sound Effect Listings

Legend Of Aramelle – Episode One Sound Effects

As someone interested in sound recording in general, I thought it would be a good idea to combine the credits I have to include for the sound effects in each episode with information of why I chose them, plus how I edited them.

Here is the full list of sound effects including where I got them from, plus what the original script called for:

Adobe Sound Effects used:
1. Foley cloth hit and short rustle cloth: Aramelle throws bedsheets out the window.
I combined this with a recording of Mariana shaking a blanket recorded on the day and layered them to make it sound as if they were being thrown out the window and hitting the wall of the castle/ground below.
2. Foley cloth ripping long: Sheets rip and she falls the rest of the way.
This doesn’t sound quite right for what was needed, but it was the closest I could get! I needed the sound of cloth ripping, though ideally it would have been a ‘hevaier’ sound than this as it sounds a bit too clean for an ancient castle – rather like someone is standing by a microphone purposefully ripping cloth (which is, I imagine, exactly how it was recorded).
3. Foley footsteps work boots dirt debris walking: Aramelle starts walking off.
In various different edits of the first episode I added these footsteps in and took them back out quite a lot, while you do get the context that Aramelle is leaving by the words alone, having a sound effect made it slightly more obvious, so it stayed in.
4. Foley footstep human walking through tall grass: Walking through grass.
This sound effect took me a while to find, but it’s perfect for the scene!
5. Ambience nature field windy: Birds, trees rustling.
This doesn’t quite have the birds and trees sound I originally imagined, but it does fit with the waling through grass above.
6. Liquid water river flowing water: Flowing river.
This sound was tricky to edit, as it needed to be loud to begin with, to let you know they’ve reached the river, then drop in volume while all the characters talked THEN become louder again as they reach the waterfall.
Having a sound be loud to begin with and then become background noise only in a scene is common in radio shows – think of it as the audio equivalent of an establishing shot.
7. Liquid water water footsteps walking in water: Grim Reaper walks on water.
This is another one that took a while to find. A lot of the effects were of people swimming (as obviously that’ easier to do than walking on water). There were also some faster ones, but I needed something slower – Death never has to rush.
8. Arrow shot: Arrows flying past them
This is another establishing sound. I layered a bunch of arrow shot noises, one straight after the other and changed the volume level of a few of them, so it would sound as if some were closer to the characters and some were wide of the mark.
You can only hear the arrows straight after Grim’s line of “one of those arrows to finally hit you…” and then they disappear again. If I were to repeat the noise over and over, it would mean there were too many sounds to follow the conversation.
9. Ambience waterfall exterior: Waterfall.
That being said, I did want this scene to be slightly overwhelming in terms of sound – as Aramelle and Orson are running away, all their plans abandoned and just running as fast as they can. This all cimes to a head when they get nearer the waterfall. I slowly increased this noise along with the noise of the river, until it’s as loud as their conversation – then they go over and all that’s heard after their scream is the waterfall.
10. Sword remove from sheath: Orson unsheathes his sword.
This one was realtively easy to put in, but I needed the reverse for him putting his sword away again.
11. Sword remove from sheath (reversed): Orson sheathes his sword.
This is the exact same sound as above, but backwards!
12. Sword remove from sheath: Everyone draws their swords.
And the same for all the guards.
13. Sword remove from sheath (reversed): Guards put swords away again.

BBC sound effects were used for:
1. Foreign Atmospheres – Covent Garden Market, horses & carts: Horses, villagers, market traders. (Bought)
Why the BBC lists Covent Garden Market as foreign atmosphere I don’t know, but this works great for the market. Primarily because it is one of only a few market atmosphere tracks I found that doesn’t have car noises in it and secondly, because there is a man shouting in the background of this track that sounds remarkable like Liam Harkins’ Barry, so it was too good to pass up!
2. Boats: Punting – Punting: Boarding and clambering about: Orson helps Aramelle into the boat and they start to row. (Bought)
This is another one that took a while to find. I only needed a small section of the sound to make it sound as if Orson and Aramelle were climbing into the boat, but searching for ‘rowing, boats etc.’ wasn’t showing up any sounds of boarding – just rowing. Eventually found this by searching specifically for ‘small boats’. If I had had to search for ‘punting’ specifically I’d never have found it. I know the word ‘punting’ but it would have taken me about ten years to think it might give me the sound I was looking for and ‘rowing’ wouldn’t.
3. Boats: Rowing – Rowing Boat, launch, board, ship oars & depart. (Recorded on shore.) (Recorded on board.) (One man rowing.): Rowing sound throughout. (Bought)
As the above sound only gave me boarding a boat, I then had to find another sound for Orson’s rowing throughout the scene. This sound says it has boarding, but it doesn’t work as well as mixing it with the punting sound.

Free sound was used for:
1. NistuGgner pocket watch: Grim Reaper pulls out ticking clock. (multiple)
https://freesound.org/s/706551/ — License: Creative Commons 0
This sound was surprisingly the hardest to find. There are a lot of clock noises out there, most of which either go really fast or really slow. Some are obviously Grandfather clocks. I found multiple recordings of Big Ben and while I did briefly entertain the idea of Grim carrying round an actual clock tower with them, I decided against it in the end. I wanted originally – a pocket watch being taken out of a pocket, flicked open, checked and put back in. However, while I manged to find the sound of a pocket watch being flipped open, it didn’t align at all with this, and this was the best ‘ticking’ I found. I decided to just go with the ticking and hope that it sounded more like Grim checking a wrist watch.

The cast for:
1. Aramelle throwing bedsheets: Aramelle throws bedsheets out the window.
This is what I mixed with the first sound. I needed Mariana to throw a blanket, so it sounded like it was her at the beginning. If it was just the cloth being thrown without any human noise, it wouldn’t have sounded right.
2. Aramelle climbing: Aramelle climbs out window via bedsheets.
Recorded this with Mariana stamping her feet on the floor, while threading the blanket through her hands.
3. Aramelle scream.
This may be used more than once in different episodes! Had to assure Mariana that I re3ally did want her to scream into the microphone, even though I was sat in front of her and wearing headphones.
4. Aramelle falls on Orson: Aramelle falls on top of Orson.
Mixed the scream with this, which is just Mariana hitting the wall of the recording studio with her hand.
5. Aramelle helps Orson stand: Aramelle helps Orson stand back up.
There’s a few different footstep sounds – of people standing up, stumbling, running, that while findable online are a lot quicker to add in, if you make your own!
6. Villagers chasing: They run, guards and villagers chase after.
This and the below sound were some of my favourite to record. We had a great cast, and the shouts of ‘get her’ etc. were all improvised by them.
7. Villagers jeering: Villagers jeering.
Likewise with this one. I especially like the ‘can anybody swim’ line from Liam and Am’s ‘get her’ at the end.
8. Waterfall screams: They go over the waterfall in the boat.
Even though this is in the scene, George and Mariana recorded it separately, so they could count in and make sure they screamed at the same time.

The Legend of Aramelle

The Legend Of Aramelle – Episode One

Princess Aramelle escapes her father’s castle the day before she is due to be sacrificed…

In this episode:
George Coyne played Orson
Georgia Faye played Narrator/Persephone
Liam Harkins played Barry
Tayla Kenyon played Villager One
Mariana Sa Sousa played Aramelle
Am Stubberfield played Grim Reaper
Everyone played: Villagers chasing and Villagers Jeering.

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the theme music, scene change music and Grim’s theme.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

I cannot guarantee that holding onto the sides of a boat will help you survive falling down a waterfall – Please do not try it.

Thank you for listening!

Freelance Journey

How to Become a Freelancer – March Update

Intro:
Still recovering from my burns and still off work, meaning my main focus for the next few months is whatever is going to save me the most money, as statutory sick pay is not built for prolonged absences!

However, I am getting there (I now only need one nap a day, as opposed to last month’s three).

The date of The Legend of Aramelle podcast release has been pushed back to 5th April. Partly to allow me to edit them well while still recovering. Also because I have found someone to compose original theme music for the show and wanted to give them enough time to deliver.

So on to the update!

Scripts Update:
The Legend of Aramelle podcast is recorded, sound effects are in place and apart from the music, the first episode is ready for release!

Troy script was entered into the Roadmap competititon, which has altered its closing date to 12th March. Am going to submit Troy into Oxford 42 as well, but have until April to do so.

The next competititon I am entering is my time-travel script which will be entered into Scribe Lounge Elevate by the end of March.

Once I’m recovered fully, I will have to make up some work on my other scripts. However, I don’t have any plans to enter those ones into any competitions for a few months, so am focussing on one script at a time while I’m healing.

Things Learnt:
Am getting better at layering sound in Garageband and the first episode really has a good sense of atmosphere when it’s needed: such as an angry horde of villagers chasing my main character and a river progressively getting louder as they near a waterfall.


Have also learnt the benefit of leaving scripts alone for as long as possible between editing. My usual method of working is to keep going back to a script until I reach a point I’m happy to send it to competitions. However, with my time travel script I hadn’t edited it in about a year and as such have been able to identify many changes to make!


From scenes that last time I edited them seemed like vital parts of the story, that I now realise can be altered or cut completely, to adding in scenes that fit the narrative past the pilot episode has been great. Also, turns out that leaving a script for a long time means I like editing it again, rather than finding it a chore.

Freelance Journey

How To Become a Freelancer – February Update

Intro:
Apologies for not releasing this until there’s only ten days left of the month! Turns out January and February were full on in more ways than one!

First, the good bits: recorded the episodes of The Legend of Aramelle and am currently editing them for release from 8th March. Am also keeping track of the budget for the show so I can see how much money I have to make back before I would be able to do a second series.

Also found two new writing competitions that Troy script would qualify for – Roadmap and Oxford 42 – and received new notes on the pilot from my writing course, that I hope to work through before submitting the script.

Finally, I have had to stay at my mum’s since the middle of January, as I badly burnt my legs – note to everyone, check your hot water bottles, please – and after initially thinking the burns were extensive, but not too deep and that I’d be back in work after a week, I actually ended up having a 5 day stay in hospital and am still having to walk with crutches after a skin graft operation!

Unable to get into work (warehouses aren’t built for crutches), it should be the perfect time for me to write. However, it turns out growing skin is hard work. Doctors regularly tell me to make sure I’ve upped my calorie intake (I’m bad at eating at the best of times) and I’m still having to have around three naps a day, but the healing is happening!

So on to the update!

Scripts Update:
The Legend of Aramelle podcast is recorded and apart from some sound effects that still need adding, the first episode is ready for release!

Troy script is being worked on ahead of two competition entries and time travel script will be one entered into Scribe Lounge Elevate this year.

Other scripts have fallen behind a little as I recover, but am not too worried as don’t have any set competitions to enter them in before at least July, so would rather focus on the ones that do have set competitions while my body heals!

Things Learnt:
Editing practice is going well, and am also learning to edit audio on Garageband for the podcast.
Have made a finance tracker for the podcast. Have found it very useful to track unexpected costs – such as having to get scripts printed for the cast on the day of recording and extra travel costs to reimburse after cancelled trains.


Have also recorded some – though not all – of the needed sound effects for the show and realising the best ways to record things like people falling over has been fun. The answer is, to avoid hurting your cast, to make them go near to the floor and bascially sit down hard on the floor, while saying “oof” or some such. Played back in context, it sounds pretty realistic!

Freelance Journey

How To Become a Freelancer – January Update

Intro:
In December, I sent out the scripts for my podcast to the cast and booked the recording space for January

I also finally got that new computer, meaning I was able to download Adobe Premier and start practising editing (my previous computer was too old for such a program).

So on to the update!

Scripts Update:
The rehearsal and recording spaces for The Legend of Aramelle podcast are booked and I am going to work on my Troy script on the writing course which starts tomorrow.

I have been working on my goldrush script as well as a screenplay about two sisters. I know where I want to go with them both now. However, editing has been slow as I have been concetrating on sorting things for the podcast. I hope to set aside a day each for both these scripts in January so I can get back up to speed with editing them.

I have also been practising editing on Adobe Premier, which has been fun to learn. I have been teaching myself with footage from the film course I’m doing. I’ve edited the footage in a variety of different ways to learn how to use editing to tell different stories with the same footage. Though I am still very slow at it, and it would be a lot easier if I had a separate mouse for my laptop rather than the trackpad, as I keep mis-clicking.

Things Learnt:
As I have more files to work on, I’m learning the use of keeping things properly stored. Though my file system makes sense to me, it’s rather difficult for anyone else to understand, so making it easier for others to find my files, if I am working with them on a project is definitely a useful skill!

I also signed up to WriterDuet – the full version. It’s a subscription and I would prefer to buy it outright, but I’ve found it the easiest way to organise all the podcast scripts. I was using Scrivener before, where I could either have one big manuscript or 12 different files – one for each episode!

Freelance Journey

How To Become a Freelancer – December Update

Intro:
In November, I finalised the cast and recording dates for my podcast and we will record in January!

I also signed up to a screen-writing course in Brighton in January and had my interview for it, so January is looking set to be a busy month!

So on to the update!

Scripts Update:
I finalised the scripts for The Legend of Aramelle podcast and have sent the scripts to the cast today!

I put in one of the first scripts I ever wrote – What Came Before – to the BBC. I admit it’s not a great script for competitions, hence why I haven’t entered it to the BBC before. However, I thought as I was writing the podcast scripts – which are too short at 15-20 minutes an episode – then I could either put in an old script, or put in my Gold Rush script before it was ready. Submitting What Came Before means I can still submit my Gold Rush script in their next submission window, when it will be better. As What Came Before is a small part of a very large story, I may as well submit it to a free competition as it’s likely to never be made until I’ve made lots of other things first!

In my interview for the writing course – I did reveal to the interviewer my plan for the Trojan Horse. It’s the first time I’ve told anyone and they said it was a fascinating idea. Apologies for not repeating it here, but one day I hope you’ll find out!

Things Learnt:
Am still learning sound on the film course and getting better at it. Yesterday we were filming a short film on the beach. In December. With both the waves, wind and seagulls to contend with, I was worried the dialogue wouldn’t be hear-able at all. I couldn’t do the boom mike operating myself as well as the recording so did have help from a fellow student. Meanwhile it was my job to make sure they were pointing it in the right direction, and what levels to put the sound at so the sea is in the background and the words are in the foreground! The director listened to some of the recordings afterwards and said they sounded perfect, so I guess I’ll keep learning!

I also helped to produce that short film. The director is interested in writing themselves, so I pointed out where things could be re-written or changed but allowed them to decide how to actually re-write them. I also got to write call sheets for everyone and went about getting permission from the council to film on the beach! I did have to ring the events officer directly when I hadn’t had an answer for a few days, but that was easy once I’d found their number!

Had to promise the council I’d give everyone a H+S briefing about the sea. So here I am telling everyone to not touch the sea!
Freelance Journey

How To Become a Freelancer – November Update

Intro:
In October, I met with someone who is interested in helping me produce my fiction podcast, and we have begun pre-production on it!

I also managed to get onto the latest TallStoryPictures script callout and received feedback from it, as well as feedback from Bafta for my plague script.

So on to the update!

Scripts Update:
I wrote some sides – mainly short monologues for The Legend of Aramelle podcast – and have already begun to receive some audition tapes!

This is the first time I have heard any characters I’ve created be performed back at me (not counting writers reading aloud my scripts) and I enjoyed hearing them so much that I spent my Friday evening making notes!
The auditions are still open until 13/11 if you would like to send in your own tape!

Received feedback from TallStoryPictures on my Troy script, though I had given them a version prior to me (once again) re-writing the beginning after a brainwave, the feedback was very useful. It made me realise that the script is worth pursuing still even if it’s not quite there yet. Plus I will take comfort in receiving the following feedback: “you’ve got a great knack for creating characters that immediately feel like flesh and blood.”

I also received feedback on All Plays Prohibited which I submitted to the Bafta film competition. Didn’t get shortlisted, but receving such detailed feedback makes me feel like it’s worth entering again and going back to edit that script again! Plus received a specific note that I have received on this script before, which shows people do enjoy reading it, even though I am aware it needs further editing! “This is a great idea for a film because it’s a storyworld that most people aren’t very familiar with, and one that’s placed in a traumatising situation we are all very familiar with (a pandemic).”

Finally am still editing my Gold Rush script, so it’s ready for BBC Writers room which opens in November. I’m putting it through the Full Script Group on Scribe Lounge, which hopefully will help me work on the ending.

Things Learnt:
Am learning sound on my film course; the subjects I most want to freelance in are: Screenwriting, Sound and Video Editing. Doing sound does take some getting used to. You are wired up quite heavily and have a microphone cable to drag around with you most of the time, too. It’s made slightly harder by the fact that I’m under five feet tall, so a boom mike usually ends up being twice my height.

However, I am getting better at managing the cables, figuring out the correct levels to record at for different scenes and setting eveything up at the beginning. I next need to learn how to put everything away again, safely, and remove all the cables on the first go. (They have various clips and buttons to make sure they stay in place, so just pulling them out isn’t an option!)

Freelance Journey

How To Become a Freelancer – October Update

Intro:
In September I submitted my time travel script to the Channel 4 Screenwriting scheme and have begun a Film-Making Diploma that takes place on Saturdays.

I also went to the TV and Film Meetup in London on 14th September, where I managed to make contact with an actor who is interested in my fiction podcast.

So on to the update!

Scripts Update:
I met with an actor about my fiction podcast idea and have been advised by them that the next best step is to write some sides for potential auditions. I am hoping to do this within the next week.

Having someone else interested in the project has given me new drive for it and it is highly possible that I will be able to record the project in January!

Am also editing my Gold Rush script, so it’s ready for BBC Writers room which opens in November. The story is there now, it’s just the ending that still needs work.

Things Learnt:
Have begun to build myself a profile on fiverr for freelance work, as I think it will work better for me than Upwork’s system does. I am likely to be busy over the next month (all those general life things I’ve been mentioning for months are all coming to fruition before Christmas) but, once that dies down, I can give myself the Christmas present of a freelance profile!

What a good way to start the new year!

Freelance Journey

How To Become a Freelancer – September Update

Intro:
In August, I received notes on my Troy script and have entirely changed the beginning point of the story as a result!

I have also signed up to a new Improvisation course starting in a few weeks’ time, and will be going to the TV and Film Meetup in London on 14th September.

So on to the update!

Scripts Update:
I have the extract of my film script set dring the 1665 plague lockdown ready to submit to the BAFTA Rocliffe competition. I just need to check over all my corresponding materials and put them in the correct formats before submitting.

I finally got round to redesigning this website! Now have my own domain name (see above) and am slowly adding pages such as my new CV page.

The showreel page is still very much a work in progress and not yet live, but will be added to the site in the next few months.

In the meantime, proof-reading requests can be sent to me here. I really wanted this to be a pay-what-you-can service, and am still working on how to make sure this is set up correctly. So don’t feel like you have to go through the PayPal section to get a message to me. As long as I receive a message, I am able to work through any requests.

Have also finished Draft 1 of my Gold Rush script, and have plenty of time to edit it before December for the BBC Writers room.

Things Learnt:
Am still very much trying to save money for various life reasons at the moment, so won’t be able to update any of my software before Christmas at the earliest.

However, have begun to build myself a profile on Upwork in the meantime and will make the profile live later on this month.

Freelance Journey

How To Become a Freelancer – August Update

Intro:
In July, I performed in an improv play in Brighton as part of a course I was taking. Also signed up for a longer film course than the ten-week one I did earlier in the year – which will start in September.
I am planning on submitting to the BAFTA Rocliffe competition this September. The BAFTA competition works on an alternate-year basis so this year is film scripts. I am going to submit my script set during the 1665 plague lockdown in London, so will be spending August re-editing it as it’s been a while since I last looked at it.

So on to the update!

Scripts Update:
Have plans to redesign this website in August by putting in my latest CV and (once I am able to buy a microphone and editing software in a few months time) put in a showreel page of sound recording and video editing I have done.
The Trojan War Diaries edits are still happening; each new draft does tell the story better than the one before. Though I am really looking forward to being able to actually write episode 2 one day!
The Gold Rush script is coming along too, but probably won’t submit it to competitions before BBC Writers room in December as have enough other scripts to submit to various competitions before then so will focus on re-editing instead.

Things Learnt:
Turns out before I can buy the video-editing software I want and Final Draft, I have to save up to buy a new computer first (this one is a hand-me-down from my brother). However, I should be able to afford one this Christmas so my new year’s resolution will be to train myself on my new software!

Freelance Journey

How to Become a Freelancer – July Update

Intro:
In June, I went on an Arvon course for screenwriting – though I still don’t have the confidence to drive to the place. Was able to get professional feedback on two of my WIPs and the first ten pages of Troy. Have therefore been making some changes to the beginning of Troy based on the feedback.

So on to the update!

Scripts Update:
Am still dealing with a lot of admin tasks in all areas of my life, so the podcast drama is still on the backburner for now.
Did not get the promotion at work which on the plus side does mean I don’t have any extra responsibilities at work now and can continue to focus on my writing.
Submitted Troy – now renamed The Trojan War Diaries – into the Scribe Lounge competition. This was before the changes to the beginning so will have to see how well it does in that competition.
Have a much clearer idea of the story I need to tell with my Gold Rush script, too, so have been making edits and hoping to get that ready for submission to competitions by September.

Things Learnt:
Was told during the Arvon course that a good spec script needs drama on every page. Don’t hold things back for the second episode. Get them in the first!

Freelance Journey

How to Become a Freelancer – June Update


Intro:
In May, I finished the first edit of the screenplay about two sisters. The title for it is still a work in progress, but think it will be a good script for competitions once these edits are complete. Plus I have finished the first draft of my screenplay about an alternative version of the Napoleonic wars where women were allowed in the Navy. However, I think that screenplay needs to be left for a while before editing, as I discovered during writing that I didn’t really know the story I was trying to tell yet. I am also up for a promotion in my day job, so have spent this weekend preparing a presentation for the interview!

So on to the update!

Scripts Update:
Am still dealing with a lot of admin tasks in all areas of my life, so the podcast drama is still on the backburner for now.

The pilot script of a re-telling of Troy is ready for submission! The deadline for the Scribe Lounge competition is the 14th of June. I always give myself a few extra days for competitions as I have a tendency to panic when I submit, so knowing I’ve got extra time calms me down! I really like how this pilot has turned out, with good introductions to the characters and the tone I want, going forward, clear from the get go. Plus, I have blocked out the plot points for the rest of the series, so if anyone was interested I can talk at length about the scripts I haven’t written yet!

Things Learnt:
Due to the busy nature of my life at the moment, everything I’ve learnt this month has been about the importance of staying on top of admin. Something which I have always struggled with! One thing I’ve found that helps is speaking through forms with people as I fill them out to make sure I’ve not misunderstood questions. What tricks for staying on top of your life admin do you find useful?

Freelance Journey

How to Become a Freelancer – May Update

Intro:
In April, I wrote the first draft of another screenplay. This one is about two sisters. The story for this one was relatively easy to write, so when I edit I just need to put the scenes in order, as it currently jumps around in time a lot. I also need to make sure I’ve got the timings right as the story also involves a baby. I think the baby might have become one year old in the space of six months! The two I finished in April are in the process of being edited. The Puritan England story, especially, should be ready to be read soon.

I have also rewritten various versions of my CV for editing work and freelance work respectively, as well as applied to an opportunity within the company I already work for.

So on to the update!

Scripts Update:
Still have not been able to secure a podcast studio for my audio drama, mainly because the month of April was extremely busy in generally all areas of my life, so that had to take a back seat. I’m unsure if I’ll have time to find a studio in May, but should be able to if things quieten down. Though I have started taking an Improv course in the evenings so things don’t look likely to start quietening down any time soon…

The pilot script of a re-telling of Troy is going well. I’m looking at it at least once a week at the moment. I received some feedback last week that allowed me to finally see how to write a problem scene. I can now see how to get across to the audience what I need to within that scene without having my characters say the plot out loud to each other!

Things Learnt:
Have written a draft query letter and found various resources online of good query-letter examples, such as this one on writersstore.com. However, I am currently trying to decide if I want to wait a few months before sending the letters until I hear back/get rejected from the various competitions I currently have scripts in!