The Legend of Aramelle

The Legend of Aramelle – Episode 6

In this episode:
George Coyne played Orson
Georgia Faye played Persephone
Liam Harkins played Barry, Giant Gunther and Giant Gary
Tayla Kenyon played Giant George and Clive
Mariana Sa Sousa played Aramelle
Am Stubberfield played Giant Dave and Giant Damien
Everyone played – Giants voting

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the theme music, scene change music, Giant Country theme and Persephone’s theme.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

There’s a second half!?

Thank you for listening!

Sound Effect Listings

The Legend of Aramelle – Episode 6 Sound Effects

The Legend of Aramelle

The Legend of Aramelle – Episode 4

In this episode:
George Coyne played Orson
Georgia Faye played Persephone
Liam Harkins played Barry, Guard and Giant Gunther
Tayla Kenyon played The Witch Princess, King Gideon and Clive
Mariana Sa Sousa played Aramelle
Am Stubberfield played Various Crew Members and Birds

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the theme music, scene change music, Giant Country theme and Persephone’s theme.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

If you failed to take my advice on covering the ears of any suits of armour in your household last episode, please be advised that wool of bat will be required to stop them now.* Wool of Bat is dangerous when being harvested from the bat itself.

Thank you for listening!

Sound Effect Listings

The Legend of Aramelle – Episode Three Sound Effects

As someone interested in sound recording in general, I thought it would be a good idea to combine the credits I have to include for the sound effects in each episode with information of why I chose them, plus how I edited them.

Here is the full list of sound effects including where I got them from, plus what the original script called for.

This is the first of four episodes where George Coyne wasn’t present at the recording. Kate stepped in on the day and we recorded George’s lines remotely. This meant I had to include an extra step in the editing to put his lines in place of Kate’s. I think it worked out quite well!

I also had to work out how to do echoes on Garageband for the line that gets repeated by the Witch Princess’s eavesdropping. In order to do this you need to make a new track just for the echo as you can’t do it to one region specifically, but can add the effect to thw whole region.

Mixed sound effects:
Impact glass crash on metal small 01 + Impact glass debris fall to cement 02 (Adobe sound effects) mixed with Glass cracking (Pro sound) – Used this for the breaking glass, it’s not quite perfect as I ideally wanted numerous windows being smashed at once, but combined with the sound of Glass cracking from Pro sound, it gives enough of a sense of how many birds are at the window.
This was always going to be one of the hardest sounds for me to edit in. The cumulation of birds flying into the room, plus glass breaking is a big noise. I left out the flying sounds and went for squawking as it was a bit easier to mix together.
Water dripping in cave (Freesound) mixed with Witch Princess Gamelan Melody Stem -Atmosphere for an ancient dungeon is also surprisingly difficult to find in sound effects. I found this cave effect and mixed with part of the Witch Princess theme from Jean it gives the right atmosphere for the dungeon and won’t be the last time I use this mix in the series!
Wings on glass – Bird feather rustle – crow groom feather with beak pluck mixed with Tapping on Window short bursts then Singles – This was another one that was hard to find. I wanted the rustle of hundreds of wings on glass, but couldn’t quite find it. The tapping works if it’s beaks on the window instead of wings and mixing it with rustling gave the desired effect of there being hundreds of birds outside the window.
I’m not quite sure it works, as it sounds a bit like it’s Orson’s clothes rustling rather than bird feathers, but it works better than the beak tapping worked on it’s own!

The Cast for:
Squawk – Various squawks were recorded for me to use throughout the series whenever Captain Liam needs to speak.
Crew are all birds – Recorded all the cast making bird noises that could be used to show what happened to them under the spell.
This was also tricky to decide how much of this to use. Using it all the time would be too distracting to have in the background, not having it at all wouldn’t work either, so the crew conveniently only squawk when someone pays attention to them!
Orson and Aramelle check if they’re birds Ep3 – O and A pat down
Fortune teller pulls Aramelle’s hands through the bars Ep3 Fortune and A Hands – If I had a bigger budget I would have found a eay to record the sound of metal bars, but this works jsut as well.
Aramelle pulls hands back – Ep3 A hands back


BBC sound effects used:
ship Thames Sailing Barge, Atmosphere Below Deck Under Sail, With Creaking Wood. (Recorded On Board S.B. Pudge.) (Bought) – This is the same sound i used in the previous episode – now just being a good indicator of when the scene is on board ship versus land.
Door opens, closesDoors: Prison: Cell – Prison Door: Cell, opened and shut. (Bought) – Same sound from previous episode for the locking of the cell door. Just minus the lock noise, this time around.
BBC Historical birds flyingCrew fly away – this sound did take quite a bit of searching as most of the sound I could find was for one bird flying rather than multiple, and was going to leave it out completely. Eventually found this on the Pro sound website.


Adobe Sound Effects used:
object on ground – reversedHat pick up – used for when Aramelle picks up the Captain’s hat.
multimedia internet cd-rom flash electronicSpell – this is the same sound from the previous episode for the spell taking effect.


Freesound used:
Water bubbling – Cauldron bubbling – Surprisingly difficult to find. Needed something for the background of the Witch Princess’s room. I do have some music for the Witch Princess from Jean, but went with this for this episode.
water bubbling by ultraaxvii — https://freesound.org/s/591151/ — License: Creative Commons 0
Cauldron stirring itself Stirring bowl (Link needed) – Needed early on, so Witch Princess can tell cauldron to stop stirring and we can hear it happen. This ensures that we know later on, whern Aramelle reads a spell out that she’s made a spell happen…
stirring bowl.wav by dynamique — https://freesound.org/s/554557/ — License: Creative Commons 0

Pro sound used:
Rifling through bottlesglass jars baby food This is the sound for when the Witch Princess is looking for wool of bat. Most sounds found were for one bottle at a time which didn’t work, hence the baby food jars.
Footsteps clankingArmour footsteps 2 – Tried a few different versions of this before settling on this one. Most of the ones I rejected sounded like soldiers rather than suits of armour, so I needed to search for the sound of metal!
Parakeet bird moves around cage chirps – Captain hops onto Orson’s shoulder – Again I nearly left this out, for not being able to find a sound that worked. It was slightly difficult to visualise what was happening in the scene without it though, so glad I found it!

Music:
There’s quite a lot of back and forth in this episode as Orson and Aramelle aren’t together for a large chunk of it, so the scenes flit between them. Decided early on that the best way to signify the action going to another character was with the Krumhorn Stem from The Village music in episode one. The only time I don’t use this to change the scene is the first time we go to the Witch Princess before Orson and Aramelle are separated.

The Legend of Aramelle

The Legend of Aramelle – Episode Three

Deep in the Witch Princess’s lands, sailing through darkness…

In this episode:
George Coyne played Orson
Georgia Faye played Persephone
Liam Harkins played Liam, Guard and Fortune Teller 2
Tayla Kenyon played the Witch Princess and Fortune Teller 1
Mariana Sa Sousa played Aramelle
Am Stubberfield played Fortune Teller 3

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the theme music, scene change music and Grim’s theme.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

Turnatus, Altre, Shunt.* Please be advised to put headphones over the ears of any suits of armour in your household before listening to this episode or episode 4.

Thank you for listening!

The Legend of Aramelle

The Legend of Aramelle – Episode Two

After surviving the waterfall, Princess Aramelle and Orson find themselves in the middle of a pirate mutiny.

In this episode:
George Coyne played Orson
Georgia Faye played Narrator/Persephone
Liam Harkins played Liam
Tayla Kenyon played Pirate Captain and Crew mate (Clive)
Mariana Sa Sousa played Aramelle
Am Stubberfield played Grim Reaper
Persephone – Georgia Faye

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the theme music, scene change music and Grim’s theme.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

I do not accept any responsibility for any pirate mutinys that occur as a result of this episode.

Thank you for listening!

Freelance Journey

How To Become a Freelancer – April Update

The Legend of Aramelle as it shows up on Spotify
Legend of Aramelle on Spotify

Intro:
Nearly, finally recovered from my burns – with only one factor still preventing me from a return to work.

The Legend of Aramelle is now live! And can be listened to here on WordPress, on Apple podcasts, Spotify or Pocketcasts.

The first episode has turned out well and new episodes will be available every other Saturday for the next few months.
However, I am hoping to re-record the credits as the levels went wrong and they’re barely audible for episode one! I should be able to do it no later than episode four, so it shouldn’t be too much of a problem.

So on to the update!

Scripts Update:
Most of this past month has been focused on getting the first episode of The Legend of Aramelle ready. However, I am nearly ready to submit Troy into Oxford 42, and should be able to do that before the end of this week.

The time-travel script went into Scribe Lounge Elevate and I have made notes for a re-write on my script called Last Witch in Swanage; it’s about witches in Puritan England. Have been having trouble with this script for a while, knowing the story I want to tell, but it not coming out right when written down. Now, I have been inspired by Wednesday on Netflix, (being off work means I am finally making some headway on my watchlist) and have realised that I can tell the story better if I change the tone to a more contemporary one!

I will be making a short film – working title Grand Hotel – for the final term of my film course. I have the Easter break to organise actors, call sheets and production budgets etc. It’s a story inspired by the first line of a Regina Spektor songalso called Grand Hotel – with the first line being “Somewhere below the Grand hotel, there is a tunnel that leads straight to Hell.” There’s still some editing I want to do on the script, but it’s almost there.

Finally, I am trying to work out which of two short film scripts – the first being Billy Frankenstein, also originally written for the film course and the second being my second choice for this final-term film, entitled The Master’s Boots – to submit to the Large Format Films competition. The Master’s Boots was only voted down at the film course for production budget reasons, as it is set in the early 1900s, and needed Edwardian costumes, three locations, a certain number of extras and ideally a plane. However, the Large Format Films first prize is £5000 towards making your film, so I am heavily considering that one instead.

Plus, it has the added benefit of being inspired by something I learnt about my own family this week: That is, that my Great-Grandma had an argument with her mother about whether she was going to work as a servant in a big house nearby, or with her friends at a local factory.

Things Learnt:
Have been trying to get my head around the various different podcast services, so can advertise Legend of Aramelle as much as possible. Lots of the services do have lessons and articles in various topics, that I am slowly working my way through.

Have also learnt a bit more about which type of microphone I want to buy once my savings have recovered from my sick leave. Also, that the levels I might hear in a Mix-Pre3 Sound Mixer don’t necessarily translate easily to Garageband on my laptop!

Freelance Journey

How to Become a Freelancer – March Update

Intro:
Still recovering from my burns and still off work, meaning my main focus for the next few months is whatever is going to save me the most money, as statutory sick pay is not built for prolonged absences!

However, I am getting there (I now only need one nap a day, as opposed to last month’s three).

The date of The Legend of Aramelle podcast release has been pushed back to 5th April. Partly to allow me to edit them well while still recovering. Also because I have found someone to compose original theme music for the show and wanted to give them enough time to deliver.

So on to the update!

Scripts Update:
The Legend of Aramelle podcast is recorded, sound effects are in place and apart from the music, the first episode is ready for release!

Troy script was entered into the Roadmap competititon, which has altered its closing date to 12th March. Am going to submit Troy into Oxford 42 as well, but have until April to do so.

The next competititon I am entering is my time-travel script which will be entered into Scribe Lounge Elevate by the end of March.

Once I’m recovered fully, I will have to make up some work on my other scripts. However, I don’t have any plans to enter those ones into any competitions for a few months, so am focussing on one script at a time while I’m healing.

Things Learnt:
Am getting better at layering sound in Garageband and the first episode really has a good sense of atmosphere when it’s needed: such as an angry horde of villagers chasing my main character and a river progressively getting louder as they near a waterfall.


Have also learnt the benefit of leaving scripts alone for as long as possible between editing. My usual method of working is to keep going back to a script until I reach a point I’m happy to send it to competitions. However, with my time travel script I hadn’t edited it in about a year and as such have been able to identify many changes to make!


From scenes that last time I edited them seemed like vital parts of the story, that I now realise can be altered or cut completely, to adding in scenes that fit the narrative past the pilot episode has been great. Also, turns out that leaving a script for a long time means I like editing it again, rather than finding it a chore.

Freelance Journey

How To Become a Freelancer – January Update

Intro:
In December, I sent out the scripts for my podcast to the cast and booked the recording space for January

I also finally got that new computer, meaning I was able to download Adobe Premier and start practising editing (my previous computer was too old for such a program).

So on to the update!

Scripts Update:
The rehearsal and recording spaces for The Legend of Aramelle podcast are booked and I am going to work on my Troy script on the writing course which starts tomorrow.

I have been working on my goldrush script as well as a screenplay about two sisters. I know where I want to go with them both now. However, editing has been slow as I have been concetrating on sorting things for the podcast. I hope to set aside a day each for both these scripts in January so I can get back up to speed with editing them.

I have also been practising editing on Adobe Premier, which has been fun to learn. I have been teaching myself with footage from the film course I’m doing. I’ve edited the footage in a variety of different ways to learn how to use editing to tell different stories with the same footage. Though I am still very slow at it, and it would be a lot easier if I had a separate mouse for my laptop rather than the trackpad, as I keep mis-clicking.

Things Learnt:
As I have more files to work on, I’m learning the use of keeping things properly stored. Though my file system makes sense to me, it’s rather difficult for anyone else to understand, so making it easier for others to find my files, if I am working with them on a project is definitely a useful skill!

I also signed up to WriterDuet – the full version. It’s a subscription and I would prefer to buy it outright, but I’ve found it the easiest way to organise all the podcast scripts. I was using Scrivener before, where I could either have one big manuscript or 12 different files – one for each episode!

Freelance Journey

How To Become a Freelancer – April Update

Intro:
During the course of March, I have finished the first draft of two new screenplays and am now trying to edit them into some coherent form. One is about witches. It was only at the end of the first draft that I realised why in fact my main character is accused of being a witch. Before that, there was no logic to the story whatsoever. Not even 1600s Puritan England logic. There is now.

I have also signed up to the website the-dots.com which lists all kinds of jobs in the industry from sound production to video editing and more. I haven’t found anything I want to apply for yet, but am looking on a regular basis.

I have realised, as well, that in terms of editing-assistant work there is in fact a surprising amount of transferable skills with my current job of working with rare books. Editing assistant work often involves labelling shots, putting them in order, syncing sound and so on. My current job involves making sure all the information given to me by the valuer matches the book I have in front of me: from title and author, to edition and value. It is the same thing only with words instead of video and audio. All I need now is to make it clear in my CV that these are transferable skills!

So on to the update!

Scripts Update:
Have not managed to do work on my audio drama this mont. I will research budgeting for a podcast studio for a few days in April and I hope to be able to book one in May.

Also in April, I will have another read-through/edit of my screenplay about actors in the 1665 plague lockdown. I try to read through my work out loud every few months, just so I am not abandoning any works before anything is done with them! Plus, if I leave the work for a few months, I’m more likely to notice mistakes when I go back to it.

My pilot scripts of a re-telling of Troy, and time travel are now back in my hands and I will re-edit them in April. The Troy script is the one I am hoping to submit into the Scribe Lounge Elevate competition, so editing that will be my priority between now and June.

The time-travel one is still submitted into another competition that I am waiting to hear from.

The draft 0 of one of my three different screenplays is now complete. The arduous task of editing has begun! I am making progress with the one about a con-artist in the Californian gold rush – I just can’t seem to work out the ending it needs. Also, as mentioned at the top, I have had a break-through in the one about the Puritan witch trials (It’s the water!) so need to go back through and make sure that doesn’t just randomly come up at the end, but is laid down from the beginning. Finally, am still working on the draft 0 of an alternate re-telling of the Napoleonic Wars where women were allowed in the army and navy in the 1700s.

Editing for my two other scripts is still ongoing. The screenplay about two actors both up for the same role might do with some time being ignored in a drawer before I go back to it, but I’m still editing it at the moment. The pilot script about vampire highwaymen now has a one-page pitch for it! I am hoping the pitch will make it clearer how I can set up what is quite a lot of lore. I have been ruthless, however, and cut out an entire main character as I realised the story would be better without them. I was only keeping them in because I liked them. You really do have to Kill Your Darlings in editing!

The short film I wrote for my film course is shot and edited! Just under three minutes long. I’m very proud with how it turned out.

Things Learnt:
Have been doing research into some agencies as I want to start sending out query letters. I have been doing research into who I want to submit to and have a list.

I have a tendency to get very overwhelmed with these sorts of things – when anything becomes official I want to run a mile – so, to make it less overwhelming, I am giving myself the whole year to submit these query letters. I have 14 agents I would like to query overall. As long as I average two a month, I’ll be done by the end of the year. The worst that will happen is I don’t hear back!

Finally, I have been hearing a lot recently about the benefits of going to production companies over agents first as that way you can approach an agent by saying you have a production company interested already – making their job a lot easier. I am unsure if this is the right fit for me, but provided I don’t get overwhelmed, maybe in a few months’ time I can have a separate list with which I can approach both at once to see who bites first.

What are your thoughts on the ‘production companies versus agencies first’ debate?