Tag: podcasting

Freelance Journey

How To Become a Freelancer – April 26 Update

Christy.E.SLeave a comment

Intro:
Have been focusing on applying to new jobs this past month and remain interview-less for now. But in terms of writing, I’ve been making some small headway.

So on to the update!

Scripts Update:
I am doing what I call ‘paper edits’ of The Legend of Aramelle Series two script. If I can get through the script and write up the edits onto my laptop by the end of April, I should be ready for feedback in May. Once that’s done I should have the script ready to send to the cast by the end of June. Meaning the only thing left to organise after that is funding for the series!

I didn’t get the vertical drama job this time, but I’ve continued researching them and am going to finish the script I had in mind for the job. There are a fair few production companies searching for vertical production ideas, so if I have one to add to my portfolio, I can contact the production companies to see if it fits with any of them.

I also have another idea for a pilot script. I think this one would work best as a comedy, and seeing as most of my writing veers towards drama, it will be fun to see how the script turns out!

Things Learnt:
I’ve also begun an instagram channel @sagoandrestore, mainly to document the changes I want to make to my home. Though most of the changes I can make in the next few months are as close to free as possible, it has reminded me of when I had a youtube channel way back when. The videos are shorter on instagram and it feels like it’s more of a commitment than youtube as you have to post more often. However, even if I’m the only one watching the videos, I’m enjoying making and editing them, so I think I’ll continue for now!

Freelance Journey

How To Become a Freelancer – March 26 Update

Christy.E.SLeave a comment

Intro:
Have finally got my diploma from the Film-making course I did last year! It was delayed due to various reasons, but now I have the diploma I can frame it and stick it up on the wall.


So on to the update!

Scripts Update:
I have sent two scripts – The Trojan War Diaries and The Last Witch in Swanage – to two different agents now. The first one got back to me – it was a no, but a rejection is better than being ignored! I have put LWIS into the Scribe Lounge competition. As of March I will be downgrading my membership back to the free version to save money, unless I can find new work before then.

I have also applied to a job posted on Scribe Lounge to be a Vertical Drama Writer for an upcoming project. Though I vaguely knew about these, it was the first time I had tried writing one myself. I had to submit four pages for the application and am waiting to hear back.

Though they are different from how I like to consume my media, I can see the appeal. Short-form content, that you can watch in segments, so you’re never going to be late because you’re finishing an episode. From a writing persepctive, I think they have a lot in common with writing for soap operas and that is becoming harder and harder these days. Vertical dramas might well fill that gap.

Why? Well, with a soap opera, if you are a staffed writer, you have to write a certain number of episodes a week on an ongoing basis. You have a quick turnaround time and certain things, plotwise, have to happen at certain points in the script. The same is true of vertical dramas – just on a much quicker scale. With only a minute or two in each episode, there is no room for anything but plot. From the ones I have watched for research, it seems that a good way of looking at writing them is to presume half your audience is only watching – on mute – and the other half is only listening. This means if you say a character’s name, you should also caption it for the watchers, and if you show something, you should speak it also, for the listeners. This is a difficult but vital thing to learn in screenwriting. We are of course asked to show not tell in writing, but the audience does have to know what you’re showing to stay engaged.

It is similar to writing for radio – or a podcast, like mine – where you have to help the audience paint the picture you have in their own minds, so they can follow the plot. No, you shouldn’t say exactly what’s happening, but if, for example, your characters are watching a dragon fly through the air, one of them must acknowledge the dragon or the audience can’t.

I haven’t heard back from the company yet, but it’s been a useful writing exercise regardless and one I think I will continue going forward.

Things Learnt:
Aside from learning about vertical dramas, I’ve been thinking about those agent emails I’ve written and how really they are not too different from writing a cover letter for a job! You find the agent you want to write to, explain why you’ve chosen them, a bit about your script and why they would like to read it, then thank them for their time. Submitting to agents can be seen as just another job application, and that has taken some of my fear away from doing it!

Freelance Journey

How to Become a Freelancer – February 2026 Update

Christy.E.SLeave a comment

Intro:
Have successfully (nearly) finished my first paid sound job! It’s behind an NDA so I will tell you nothing more about it, but it’s been a good shoot and I hope it leads to more paid work.


I also got asked to be a Production Assistant at short notice on a short film last weekend. I ended up doing sound for them the second day as their sound recordist couldn’t make it in. Proving it’s always worth taking other jobs, as you can always get shifted to your field!


So on to the update!

Scripts Update:
Though I am still working on my witch script in order to put it into the Scribe Lounge competition at the end of February, I have also had to focus on applying to full-time jobs again. I’m most likely being made redundant in June, unless I can shift to another department. As last year I relied on sick pay for 4 months I don’t have enough savings to be a full-time freelancer just yet. I haven’t entirely ruled that out though. If I do manage to find more paid writing and sound work in the next few months, it’s not impossible. However, it would be a lot harder to start now than it would be in June next year which was my plan.

Am still writing the second series of The Legend of Aramelle. First draft is nearly finished, so am still aiming for that at the end of February. Leaving me with a few months to edit before sending it out.

Things Learnt:
As I have been applying to more jobs, I am reminded again about cover letters. Though I am better at writing these than I was the last time I was looking for a job, thanks to all the sound roles I’ve applied to! I still struggle to remember what should go into one and what parts of the advert I should concentrate on writing about.


I’ve essentially given myself a template at this point: why I want the job, what I can bring to it and conclusion. I can then easily re-write each time I apply, which saves a lot of time!

Freelance Journey

How to Become a Freelancer – January 2026 Update

Christy.E.SLeave a comment

Intro:
Have submitted Troy to the Edinburgh New Writers Collective competition. I always like a competition that Troy is eligible for.

Am searching for sound jobs around February as my first set one isn’t until March.


So on to the update!

Scripts Update:
My goals for this year are to contact agents, now I have The Legend of Aramelle as a showcase of my writing and a growing portfolio. My other goal is to finish one of the four scripts I have in various drafts. From my gold rush script to the 1960’s script (Which still needs a name) and finally two scripts that are not set in a specific time period for once, but are about two sisters and two actors.

Am still writing the second series of Legend of Aramelle. I hope to finish the first draft by the end of January, but the speed I’m going at the moment it will be closer to the end of February.

Things Learnt:
The Edinburgh New Writers competition needed a one page CV – something which I was able to do by taking out most of the description of my non-writing jobs. The difficulty is in keeping in information about transferable skills, but I do have a spearate skills section of my CV, so crowded them all into there. In an aesthetically pleasing way, of course!

Freelance Journey

How to Become a Freelancer – October Update

Christy.E.SLeave a comment

Intro:
Have been spending the last few weeks in September enjoying the fact that I don’t have Legend of Aramelle episodes to edit and upload. I have started my first draft of series two, though, so it’s back to the writing for the last part of this year!

I also have another sound recording job! This one is at the end of October and is only one day, but I will be recording in a church, so I’m anticipating big echoes! I have to acquire my own equipment for this shoot and as I’m still saving up to buy sound recording equipment (altogether it’s about £5000, so I can’t buy it in one big go), so I’m hiring it from hireacamera.com

So on to the update!

Scripts Update:
Have nearly finished the editing for Last Witch in Swanage. Hoping to put it into The channel 4 scheme today and then keep editing it in between now and the BBC Writersroom window opening in December.

The BAFTA Rocliffe competition still hasn’t opened. There doesn’t seem to be any news on this that I can find, so I’m beginning to think it’s not opening at all this year.

I have nearly finished editing everything from the film course. Am currently working on the documentary I shot about the Brighton school of Film-makers in the early 1900s, who, among other things, are believed to be the first people to use close-ups in film!

Things Learnt:
Editing the documentaries is both similar and different to editing the short films. The short films are often roughly already in order; you pick the best takes and delete the others than switch them around to the order in the script. With the documentaries, it’s often just an interview, with some context shots of what the interview is about. So, the first thing to do is decide where you want to start the interview – which isn’t necessarily at the beginning – and then fit the context footage round it to form the story you’re telling without a script.

Freelance Journey

How To Become a Freelancer – September Update

Christy.E.SLeave a comment

Intro:
The final episode of The Legend of Aramelle is up! You can listen to it here on WordPress, on Apple podcasts, Spotify or Pocketcasts.

The film shoot I was on went well. The first day was recording on location, and there was an issue with one of the microphones in that it couldn’t be heard through my headphones. It was recording sound though, and both other mikes worked fine. If I had had an hour to figure out the issue, I would have been able to, but that wasn’t possible without delaying filming significantly. I haven’t heard anything from the editors, though, so I assume it did record fine in the end, just without me hearing it!
The next day was on a set and I used a different microphone to avoid that issue and it worked fine. I am excited to see the final edit! It’s a very strange thing to be able to hear someone across the room more clearly than someone directly in front of you, if they’re miked up. Plus, it can be extremely tiring to hear things to that extent for so much of the day, but I do find it enjoyable and have already applied for my next job!

So on to the update!

Scripts Update:
Am working on the feedback for The Last Witch in Swanage (puritan witch script). The channel 4 scheme opens on 22 September and as Troy isn’t eligible for that one, I’m hoping LWIS is at a good enough level to submit it this year.

The BAFTA Rocliffe competition still hasn’t opened.

The date for the final screening of the film course got moved again! This was due to building work being done over the summer, so I am hopeful I will be able to attend after all.
However, there’s no update on when the screening will be now.

Things Learnt:
I’ve made a spreadsheet for my expenses/income and coded it so the sums get added up automatically. I added my expenses for the film shoot and then subtracted them again once the expenses had been paid. For this first year, I’ve only made one spreadsheet for the entire financial year as it’s unlikely I’ll be making enough month to month to warrant monthly ones.
I an hoping to finish all the projects before the screening and, now the editing for Legend of Aramelle is complete, I will have more time to focus on them.

Sound Effect Listings

The Legend of Aramelle – Episode 12 Sound Effects

Christy.E.S1 Comment

As someone interested in sound recording in general, I thought it would be a good idea to combine the credits I have to include for the sound effects in each episode with information of why I chose them, plus how I edited them.

Of course it would be in the final episode of the series that I had the most trouble with the audio! It seems that one microphone wasn’t working correctly so two actors lines were extremely quiet. I had to isolate their audio and edit them on their own track to make it audible. I’ve edited it as best I could, and it works pretty well, it just has the unfortunate side effect that there’s some background interference audible in their lines, as a result of it being heightened. It sounds a little bit like wind though, so as they’re all outside or on mountains, if you use your imagination it’s not so bad!
Plus, I wanted to make sure it was audible as some of the lines lost were important to the future plot!

Here is the full list of sound effects including where I got them from, plus what the original script called for.

Mixed Sound Effects:
Walking through prison corridors: Witch Princess Gamelan Melody mixed with Water dripping in cave freesound and Cowboy boots walking (Adobe)

Adobe Sound Effects used:
Liquid Water River flowing water – River
Coin Flip and Catch Ringing Spin – Jewel
Foley Cinder Block Sand Scrapes – Cave moves position
Liquid Water Water Ballon Dropped in Water – Spoon dropped in cauldron
Foley Coin Moving in Hand – King Gideon gets money out
Ambience Ocean Shore – Ship in bay by Isle of the Sirens

BBC Sound Effects used:
Ship creaking: Thames Sailing Barge, Atmosphere Below Deck Under Sail, With Creaking Wood. (Recorded On Board S.B. Pudge.) (Bought)
Doors Prison Cell – Prison Door Cell, opened and shut (Bought) – Door to Prison opened and closed
Boats Rowboats Punting – Needed a noise of driftwood to show what Barry is floating down the river on. (Bought)

Pro sound effects used:
Whistler Mountain Canada Light Buffeting Wind – mountain ambience (Bought)
Sparkles Glistening Metallic Swells – Sound of jewel map being projected. (Bought)
Sucky Woosh – Noise for the ghosts method of travel and appearance – more will be revealed how this works in series 2! (Bought)

Cast for:
Ship onto Table out of pocket – Aramelle takes jewel out of pocket
Crew Cheering
Crew executing orders
The “Woo” that Orson says was supposed to be another round of the crew cheering, but realised in editing that as they’ve just gone off to execute their orders, it didn’t make sense, but Orson was still there, so he could cheer for Aramelle all by himself.

Music by Jean Loup-Pinson:
The Village Krumhorn
Grim Reaper theme

Freesound for:
Cauldron bubbling – Water Bubbling – Same as last episode. water bubbling by ultraaxvii — https://freesound.org/s/591151/ — License: Creative Commons 0

The Legend of Aramelle

The Legend of Aramelle – Episode 12

Christy.E.SLeave a comment

Of course it would be in the final episode of the series that I had the most trouble with the audio! It seems that one microphone wasn’t working correctly so two actors lines were extremely quiet. I had to isolate their audio and edit them on their own track to make it audible. I’ve edited it as best I could, and it works pretty well, it just has the unfortunate side effect that there’s some background interference audible in their lines, as a result of it being heightened. It sounds a little bit like wind though, so as they’re all outside or on mountains, if you use your imagination it’s not so bad!
Plus, I wanted to make sure it was audible as some of the lines lost were important to the future plot!

In this Episode:
George Coyne played Orson
Georgia Faye played Persephone
Liam Harkins played Barry and Potion Man
Tayla Kenyon played Clive, King Gideon and Robin
Mariana Sa Sousa played Aramelle
Am Stubberfield played Grim Reaper and Mountain guard

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the music.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

Questions that still need to be answered: What happened to Captain Liam? We haven’t seen him since the mountain prison, has he gone to find his wife? What is Aramelle’s plan with the sirens? Why can Orson see a figure on the Isle of the Sirens while no-one else can? Is it to do with the voice he heard in the grasslands? And the most important un-answered question of all: What happened to Orson’s sword? The enchanted one he stole of the suit of armour? Is it at the bottom of the lake in Aramelle’s kingdom?

The Legend of Aramelle will return! (When I’ve written the scripts.)

Thank you for listening!

The Legend of Aramelle

The Legend of Aramelle – Episode 11

Christy.E.SLeave a comment

In this Episode:
George Coyne played Orson
Georgia Faye played Persephone
Tayla Kenyon played Clive and Beryl
Mariana Sa Sousa played Aramelle
Am Stubberfield played Grim Reaper and Mountain guard

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the music.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

What do you think Aramelle saw in the cauldron?

Thank you for listening!

Sound Effect Listings

The Legend of Aramelle – Episode 11 Sound Effects

Christy.E.S1 Comment

As someone interested in sound recording in general, I thought it would be a good idea to combine the credits I have to include for the sound effects in each episode with information of why I chose them, plus how I edited them.

Here is the full list of sound effects including where I got them from, plus what the original script called for.

Adobe Sound Effects used:
Multimedia Internet CD Rom Flash Beep High Pitch 33 – Orson arrives in cabin
Liquid Water River flowing water – River
Weapon Sword Hit Metal Off Center 01 – Guard bars entry
Concrete shoes walking – Walking through prison
Human crowd mumbling – Aramelle sees future in cauldron
Impact Metal Bang 01 – cell door opened

BBC Sound Effects used:
Ship creaking: Thames Sailing Barge, Atmosphere Below Deck Under Sail, With Creaking Wood. (Recorded On Board S.B. Pudge.) (Bought)
Doors Prison Cell – Prison Door Cell, opened and shut (Bought)

Pro sound effects used:
Whistler Mountain Canada Light Buffeting Wind – mountain ambience
Prison Gate Metal Gate Open Close
Crowd Foot Stomps Interior Reverberant Theater – crowd marching
Bells Cathedrals – ringing wedding bells as Aramelle looks in cauldron
Pot Hit Metal Clang Impact – Aramelle knocks cauldron

Cast for:
Normal Squawk 2 – went for a different option on the squawking as I didn’t think Liam would turn into the exact same bird!

Music by Jean Loup-Pinson:
The Village Krumhorn
Grim Reaper theme

Mixed sound effects:
Scolex water dripping in cave – freesound mixed with Gamelan melody by Jean

Freesound for:
Cauldron – 93214__freed__iging_21a_the-cauldron – freesound Cauldron a looking in: IGing_21a_The Cauldron.mp3 by Freed — https://freesound.org/s/93214/ — License: Attribution 4.0 – used this for the beginning of the magic when Aramelle looks in the cauldron. Only used the first few seconds and looped it.

Freelance Journey

How to Become a Freelancer – August Update

Christy.E.SLeave a comment

Intro:
Another late in the month update, but, I hope, one worth waiting for as I have my first job as a sound recordist! It’s on a short film shooting next week, and once edited, it will give me my first IMDB credit!

The Legend of Aramelle is going well. Episode eleven is due up next Saturday (23rd August). You can listen to it here on WordPress, on Apple podcasts, Spotify or Pocketcasts.

So on to the update!

Scripts Update:
Finally finished a draft of The Last Witch in Swanage (puritan witch script) and have received feedback from two people for my next draft. I hope to enter it into the BBC open call this year, so still have time to work on it.

The BAFTA Rocliffe competition still hasn’t opened but, when it does, I’ll be submitting my Troy script this year.

Finally, am in the process of editing everything I shot in the film course and am about half-way through all the projects. Sadly, I won’t be able to make the final screening as it’s the same day as my sound job starts. Though, I’m hoping I can meet up with people from the course in the coming months as I was looking forward to seeing everyone at the screening.

Things Learnt:
As this first job is expenses paid only, I have made sure I’ve been collecting receipts and invoices for the travel I’ve booked. Now I’ve actually started doing it, it’s much less daunting than it seemed before I started and just need to make sure I keep everything in one place!

The Legend of Aramelle

The Legend of Aramelle – Episode 10

Christy.E.SLeave a comment

In this Episode:
George Coyne played Orson
Georgia Faye played Persephone
Liam Harkins played Giant Gary
Tayla Kenyon played dead guard, King Gideon and Voice
Mariana Sa Sousa played Aramelle
AM Stubberfield played Grin Reaper

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the music.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

What does find roots mean?

Thank you for listening!

Sound Effect Listings

The Legend of Aramelle – Episode 10 Sound Effects

Christy.E.S1 Comment

As someone interested in sound recording in general, I thought it would be a good idea to combine the credits I have to include for the sound effects in each episode with information of why I chose them, plus how I edited them.

Here is the full list of sound effects including where I got them from, plus what the original script called for.

Mixed sound effects for:
Persephone’s theme and Grim’s Theme – mixed together for when Persephone takes Orson away

BBC for:
Persephone and Grim row across the river of Styx – Boats: Punting – Punting: Boarding and clambering about (Bought)
Ship creaking: Thames Sailing Barge, Atmosphere Below Deck Under Sail, With Creaking Wood. (Recorded On Board S.B. Pudge.) (Bought)

Freesound for:
Underworld ambience: The Underworld by erlipresidente — https://freesound.org/s/415886/ — License: Attribution 4.0 – Ideally I wanted something with a few more screams in the background, but this does do a good job of sounding sufficiently otherworldy and not likely to get kixed up with the Soothsayers Cave from the previous episode!
Underworld crowd: Walla Crowd Inside French by Salomé_Lubczanski — https://freesound.org/s/733849/ — License: Creative Commons 0

Adobe Sound Effects for:
Flood water – Liquid Water River Flowing Water
Persephone unrolls parchment and Gideon signs paper– Foley Paper Wax Paper Movements
Orson walks alone – Foley footstep human walking through tall grass
Orson begins to teleport – Multimedia Internet CD-Rom Flash Beep High Pitch 33

Music:
The Village Krumhorn stem – to move between the different sections of the scene
Grim’s Theme – Grim takes souls, also when Grim arrives to see Persephone again

Sound Effect Listings

The Legend of Aramelle -Episode 9 Sound Effects

Christy.E.S1 Comment

As someone interested in sound recording in general, I thought it would be a good idea to combine the credits I have to include for the sound effects in each episode with information of why I chose them, plus how I edited them.

Here is the full list of sound effects including where I got them from, plus what the original script called for.

Mixed sound effects for:
Exterior Castle Courtyard – Crowd Exterior Daytime Courtyard…Blenheim Palace (Prosound: Bought) mixed with Pirate’s in crowd – Pirate Murmur Constant Calm… (Prosound: Bought). Both of these together sounds enough like a crowd, though the crowd does sound annoyingly distracted. Though I do like the fading up of the pirates, as you can hear an “Arr!” just at the moment that “I can’t see no pirates either,” is said!
Torch gets knocked over – Fire torch burn in wind, short (Prosound: Bought) Impact firewood grab (Adobe) – mixed these two together. It was too much noise for the fire to be burning the whole way through, so added it jsut before it gets knocked over.
Crowd fights – Episode 9 general screaming fighting (Cast) mixed with Crowd panics – Human crowd footsteps running and screaming (Adobe) and Fire burning – Torch fire burning roar intermittent crackles (Prosound: Bought). Wanted quite a few noises here so you can tell it’s pandemonium and no-one knows whatr’s about to happen at this point!

Cast for:
Soothsayer Faints – Episode 9 Soothsayer fainting
Soothsayer wakes up – Episode 9 Soothsayer wakes up
Crowd panics – Episode 9 crowd panics
Orson gets hit – not a sound effect, just good acting!

Prosound for:
Soothsayer’s cave – Breaths Creepy Ghostly Wind – (Bought). I originally wanted a more cave-y type setting for this, but it sounded too similar to the dungeons, think this makes it seem more like the soothsayer is sitting on top of a mountain!
Aramelle and Gideon have tug of war with drum – Swing Set Swing (Bought). Could not for the life of me find anything that sounded like a drum being pushed back and forth, think this works though as it’s only a few seconds.
Giant pours water over fire – Water pour –(Bought).
Flood water – Water lap heavy sloshy crashing tidewater – (Bought).
Aramelle puts Orson on tree branch – Water splash tree branch drop – (Bought).
Aramelle bangs drum and giants hear – Distant Booming Muffled Thumps – (Bought). Very difficult to find drum noises, it turns out! This one works well, as I’ve added an echo and slowed it down.

BBC used for:
Dungeon door opening and closing – Doors Prison Cell Open and Shut (Bought) – the same as used in episode 3

Adobe Sound Effects for:
Leaving soothsayer’s cave – Foley Footsteps Cowboy Boots Debris Dirt Walking – Needed something so you’d know they’d left the cave before the soothsayer woke back up.
Orson gives sword to Aramelle – Weapon broad sword hit metal tink
Aramelle fights – Impact sword impacts

Music:
The Village Krumhorn stem
Persephone theme

The Legend of Aramelle

The Legend of Aramelle – Episode 8

Christy.E.SLeave a comment

In this episode:
George Coyne played Orson
Georgia Faye played Persephone and Guard 3
Liam Harkins played Captain Liam, The Potion Man, and Barry
Tayla Kenyon played Guard 1 and The Prisoner
Mariana Sa Sousa played Aramelle
Am Stubberfield played Guard 2

Social Media:
Show email: thelegendofaramellecasting@gmail.com
Writer: Christy Sago: Bluesky: @christywrites.bsky.social
Producer: Kate Delong: Instagram: @kate.delong.creates
George Coyne: Instagram: @jorge_pereira8890
Tayla Kenyon: Twitter: @taylakenyon
Liam Harkins: Instagram: @liammharkins
Mariana Sa Sousa: Instagram: @marianasasousa123
Am Stubberfield: Instagram: @brumble_hag
Composer: Jean Loup-Pinson: Instagram: @jlpinsonmusic

Sound effects:
Jean Loup-Pinson composed the music.
His website is: www.jeanlouppinson.com/
Sound effects for this episode are from BBC Sound Effects Library, Adobe Sound Effects, Freesound.org, Pro Sound Effects and the cast themselves.
Full credits for the sound effects as well as more information on the writing, recording and editing of this episode can be found here.

What do you think Aramelle’s plan is with the drum?

Thank you for listening!